Yokai Attack
The Japanese Monster Survival Guide
Hiroko Yoda and Matt Alt
Illustrations by Tatsuya Morino
Kodansha International
Bookwise 2008 (Australia)
The
term Yokai is used in Japanese folklore to refer to the diverse denizens of the
spirit world ranging from ghosts through to goblins, dwarves, nature spirits
and a range of other strange and wonderful creatures. Since Japan is primarily
a Buddhist country, the Yokai tend to be a mixture of traditional animist and
nature spirits overlaid with the later adopted Buddhist cosmology. This mixing
of traditions is significant since Buddhism does not believe in either a
personal god nor an ultimate “good or evil” and hence the Yokai range from
the naughty to nice, malevolent to ambivalent and most are somewhere
in-between, depending on their mood and bearing. While the term Yokai is
sometimes translated as hobgoblin, the two Japanese characters actually simply
means otherworldly or weird. It was in 1776 with the “Illustrated Night Parade
of Demons” that the first major iconographic representation of the Yokai began
with fifty rather picturesque images. This is still considered a work of major
significance within Japanese literature.
Due
to a strange twist of fate a westerner had a major influence on the revival of
interest in the Yokai. In 1890 Patrick Lafcadio Hearn gained Japanese
citizenship after developing a fascination with Japanese culture. He took the
name Koizumi Yakumo and married Setsu Koizumi, the daughter of a local samurai
family. He took a teaching position and wrote a wide range of books about
Japanese folklore and ghost tales. He wrote some fourteen books (and many more
articles) including the influential Kwaidan: Stories and Studies of Strange
Things in 1903 which was to become a major film of the same name by Masaki
Kobayashi in 1964.
His
books led to a revival of interest in the field, which was further fuelled by a
range of Manga comics about the Yokai penned in the late Fifties, known as
Hakaba Kitarō (Graveyard Kitaro)
by Shigeru Mizuki. These were later developed into the anime series Ge Ge Ge no
Kitaro. Anime took to the traditions of Yokai
and a wide range of films continue to be produced. One of the most spectacular
is The Great Yokai War (Yōkai daisensō
2005) by Takashi Miike, a film which literally includes hundreds of
Yokai !
Yokai
Attack is a spectacular guide to the Yokai, lovingly researched and beautifully
illustrated; it offers an encyclopaedia of Japanese folklore packaged for
today’s lover of manga, anime and cinema.
It
offers an excellent overview of Yokai history and terminology and divides them
according to their general characteristics i.e. Ferocious Fiends, Gruesome
Gourmets, Annoying Neighbours, the Sexy and the Slimy and the Wimps. Each Yokai
is described in some detail. For example, let’s choose Tofu Kozo.
We
find Tofu Kozu is Yokai 16 in the Gruesome Gourmet section, we learn the
pronunciation of his name, his English name (Tofu Boy), his height, weight and
various features and of course his favourite food and weapon, in this case they
are both Tofu !!! We also learn about his habitat and an extensive outline of
his claim to fame in folklore accompanied by a nice full page colour image.
This is followed with details of how he attacks, how to survive an encounter
with Tofu boy and quite a bit more, even
some Tofo proverbs !
Yokai
attacks is quite an extensive guide and concludes with a good resources section
covering some great movies and websites. Its comic style illustrations and
superb presentation make it a fun, entertaining and informative guide to an
important facet of Japanese folklore and cinema.