71_0.jpgWunder der Schöpfung

Edition Filmmuseum 43

All Region DVD

Web: http://www.edition-filmmuseum.com

 

The history on science on film is a fascinating one, it reflects not only on the development of science as an educational tool but on the evolution of special effects and graphic representation. In today’s market the sheer breadth of the “edutainment” genre is astounding from history to art, music to literature, but it is science which always attracts the most. When we look at the work of David Attenborough, whose first nature documentary is usually considered to be Wildlife On One (1977), we can see how the representation of nature has evolved. His present documentaries in high definition with with astounding sound bring nature right into our lounge rooms and show how far we have come.

 

An interesting venture is to look back in time and consider how the world was envisioned in earlier periods, especially through the lens of science. This is where the absolutely fascinating DVD Wunder der Schöpfung from Edition Filmmuseum is a superb guide.

 

Wunder der Schöpfung is still considered one of the most significant cinematic achievements of the 1920’s. It took over two and a half years of set construction, production and filming to create. It was supervised by Hanns Walter Kornblum with the express idea of explaining the nature of the universe and man’s role within it. The work was to be scientifically and academically credible and four university professors overviewed the work.

 

Many hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by fifteen special effects draughtsman, while nine cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. It is superbly filmed and beautifully colored, using tinting and toning in a very elaborate way. Many film historians believe that visual ideas in the space shuttle sequence were to later be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.

 

While the film begins on rock solid scientific ground using a spacecraft as a tool to travel through the social system bringing an understanding of the planets to the viewer, soon it veers into truly bizarre territory. Expressing some of the fears of the age, it begins to explore possible “end of mankind” scenarios in a way which becomes more and more amusing and strange. It is hence a documentary which is both amusing and quaint, informative and intrigueing.

The film itself is not only a fascinating window into the scientific worldview of the age but offers us a superb look at the way in which special effects were used in the 1920’s, this really is a fascinating and unusual journey.

 

As a bonus there is a copy of the rare documentary The Einstein Theory of Relativity which dates from 1923 and was made in the USA and directed by Dave Fleischer. This was another fascinating film from the Twenties which used various illustrations in an attempt to make the theory of relativity more easily understand.

 

As per normal Filmmuseum practice, this is a superbly presented product which lots on extras on the DVD such as press books, documents and texts and a high quality 20 page presentation booklet with essays by Stefan Drössler, Ronny Loewy and Stewart Tryster.

 

vatribflorish

 

 

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This review will appear in Volume 2 No.5 (2009) of the digital and print edition of Synergy Magazine.

 

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