A
Tale of Two Sisters
Tartan Asia Extreme
R1 DVD
R4 Shock DVD
A
Tale of Two Sisters is a superb example of a film which crosses genres and does
not really allow you to define it until the very end. The first thing that captures
you is the cinematography, this is a film filled with luscious colour, shadows
and fleeting images. The house itself
and the environment becomes part of the film, every corner, shadow, colour,
fabric and ornament becomes significant. Even furniture is important and this
hints at this constant use of the environment helps introduce hints about the
plot before they happen (for example, reference to the wardrobe).
At
the same time it is really only with a genuinely high quality edition of the
film that this becomes evident. There are many releases, but the Tartan Asian
Extreme release of 2005 which comes on two DVDS is the very best. You not only
get the best quality image imaginable but a DTS track which really works the surround
sound. You hear doors creaking, footsteps in the distance, cupboards rattling and so on and all this sets
the stage for a very strange cinematic experience. It is one of the best DTS
tracks in terms of producing a subtle, moody and textured environment. It is
not over the top, but uses carefully placed sounds to put you in the centre of
the experience.
At
first you are unsure exactly what you are watching. The house seems creepy,
dark and the family is plain weird but what exactly happens is very open to
interpretation. It is certainly not a traditional ghost film and is packed with
psychiatric illness, family dysfunction, suicide and madness. The way in which the story unfolds keeps the
viewer wondering exactly what is occurring until the last 30 minutes of the
film, when, in flashbacks, we begin to get some background on the events that
have led to the current disaster. However, that being said, there is still a
cross over between the seeming madness of Su-mi and what is probably a genuine
haunting. The conclusion of the film seems to suggest that the step mother is
killed by the ghost of Su-yeon, regardless of the hallucinatory aspects of Su-mi’s
breakdown.
The
storyline is complex and intriguing. It seems that the husband has been having
an affair with a nurse looking after the children’s mother who is severely
depressed due to the treatment she is receiving for cancer. In a fit of
depression, she commits suicide in a wardrobe and is found by Su-yeon. Trying
to revive her mother, the wardrobe falls on Su-yeon and pins her to the ground.
The nurse, unable to cope with what she sees, retreats from the scene and tries
to manipulate Su-mi to intervene. In a
horrific moment she tells Su-mi she will reject it if she doesn’t stop and
listen. Su-mi, of course, has no idea what she is talking about and in fury
with the nurse trying to take her mother’s place stamps from the house. She
does not realize Su-yeon is dying upstairs. Perhaps even the nurse doesn’t
realize the gravity of what is occurring, in any event both the mother and
Su-yeon die. Su-Mi confronted with their
deaths her feelings of uncontrollably guilt has a massive breakdown.
After
some period of hospitalization she returns to the house to her father. At this
stage he has had the sense to keep the nurse, now his wife, out of the house. However,
as time progresses Su-mi’s mind degenerates and she replays the events, feeling
that she is still trying to protect Su-yeon from the stepmother, whom she has
demonized into a major destructive figure. While, of course, the nurse (who has
now married the father) was partially to blame, it is in Su-Mi’s psyche that
the major violent events depicted occur. She suffers a psychotic break and
begins to imagine all manner of terrible tortures she believes the stepmother
visited on Su-yeon, none of which are real.
However,
as the film progresses there is a deliberate mixing of her psychosis with the
fears of the step mother, the guilt of the father and, it seems, the revengeful
ghost of Su-yeon who not only is after the nurse, but wants to save Su-mi from
the suffering she is experiencing.
This
is startling film, beautiful and haunting, evocatively presented with such an
eye for detail. Every scene seems like a “Zen Buddhist painting”, everything is
perfected placed, every gesture is significant. There are scenes of such
emotional intensity they nearly take your breath away. The ambiguity of the
plot makes it all the more seductive, even when it is finished you will still
debate with yourself exactly where hallucination ended and haunting began. The
picture offered of human weakness frailty, family dysfunction and emotional betrayal
is as powerful as the possibly supernatural aspects of the tale.
This
superb two DVD edition is really the classic release. The second disc includes lots
of extras ranging from interviews to a psychiatrists perspective on the film !
There are behind the scenes and post production documentaries and some hidden
extras such as a letter from Su-yeon on the first DVD and one from Su-mi on the
second.
The
Shock R4 DVD in Australia has similar special features but does not include the
DTS track.