image002.jpgNecronomicon

Book Five

Edited: Andy Black

Noir Publishing

Web: http://www.noirpublishing.co.uk

 

 

Necronomicon is a well established series published by Noir Publishing and edited by Andy Black. Each volume offers erudite and informed examinations of major themes, concepts and trends within horror, cult and erotic cinema.  They are beautifully illustrated throughout with a wide range of images and photos,  have attention grabbing covers and represent a quality in production which is always a joy to see.

 

Articles are always well informed and take a deeper look at their subject matter than most publications, this is not a “gore explosion” horror magazine filled with puff pieces about the latest splatter film, but an irregular journal (paperback sized) offering in depth explorations into the world of horror and cult cinema.

 

Necronomicon, indeed, is marketed as a book rather than as a journal or magazine for that reason, what is offered is really an anthology of essays and full length pieces, some of which could be expanded into a book on their own. Each volume is worthy of a place in any film lover library and offers some of the best horror journalism available.

 

In the latest release, Book Five, there is a lot on offer.

 

First there is an exploration of Buffy the Vampire Killer and the way in which Buffy combined soap themes with horror and moved the genre in a new direction. Along the way we come to understand the way the feminine is represented in horror cinema and the unique way in which Buffy broke new ground with a new kind of female horror hero.

 

Scarier than Monsters is a comprehensive study of the history of sexual murder in art and film from Weimar to the United States, it is extremely comprehensive and covers everything from mainstream films such as Silence of the Lambs and Hannibal to such extreme releases as Necromantik.

 

The Killing Box is a specific study of themes within the film of the same name, while Becoming Monster is a superbly esoteric study of the concept of transformation and becoming in the work of Deleuze and how this is seen within the various transformations seen throughout horror cinema. This is especially insightful considering how “transformation” from one form to another (the human to the monstrous, for example) is central to so many horror classics.

 

Holidays in Hell explores the theme in so many films, notably recently in the Hostel films, where the horror exists in the other, usually another country, less developed and has various prejudices which develop from an Xenophobic view of the world.  

 

I could, of course, continue essay by essay, Necromomicon Book five is packed with content. There are essays on the concepts of anti-communism found in the film The Thing and a superb discussion of the revival of Zombie films.

 

This is a highly significant series for anyone with more than a superficial interest in cult, horror, art  house and related cinema. It is erudite, informed and thought provoking. It combines deep insight into the themes and motifs of horror cinema with focus articles which look at specific films or trends in cinema as well.

 

Each volume is a careful balance of different types of essays, all of which will keep you interested, informed and entertained. It will have a pride of place in my library and I suggest it should in yours as well!