Salvation
Films
R0 PAL
Web: http://www.salvation-films.com
Nature
Morte is a surprising, innovative and impressive Giallo gothic film exploring the
boundaries of sex, violence and death. While it clearly has been made on a
limited budget it is really quite impressive how much Paul Burrows has been
able to squeeze out of digital video, a fascinating plot and a dark vision to
create quite a stunning and unique work.
The
film opens powerfully with a leisurely visit to the studio of John Stephenson.
There is a superb ambiance to the scene (and indeed to the whole film) created
through a mixture of creative cinematography and a moody and evocative soundtrack.
Stephenson’s studio is slowly explored by the camera and we see he has company,
a young beautiful lady. He seems to be planning a simple seduction, but as the
scene evolves we realize he has a much darker agenda. For Stephenson pain,
torture and death are an integral aspect of his artistic expression. He needs
to torture his subjects, so he can capture their suffering on canvas. His is a
highly celebrated figure in the art world and thrives on his double life as an
artist and serial killer. Abruptly after his tenth work he kills himself.
Oliver
Davenport is a writer and art historian; he is celebrated in his field and has
produced various books on John Stephenson. While exploring the Stephenson case,
he is asked by Georges Albert of the French Police to become part of their
investigation. It seems a new set of paintings have been appearing on the
market from an artist in Thailand and they seem to be identical to the
Stephenson works.
Davenport
with Georges in tow travels to Thailand to meet the artist who has created
these new works. He finds Lec, a strange and eccentric painter and erotic
explorer and through Lec enters a strange world of drugs sex, torture, lust and
death. The depiction of Davenport’s descent into all manner of drug induced
sexual excess is superbly evocative yet at the same time quite restrained.
Through Nature Morte there is a careful balance between what is shown and what
is inferred, it could have easier slipped into being a simple “sex and gore”
flick but by using careful editing, inference and suggestion, it offers a mood
of sexually charged violence without becoming “torture porn”. It has a very
“European” mood and hence exudes a
sophisticated approach to its subject in comparison to the flood of sex and
horror films presently on the market.
So
what is the connection with Lec and Stephenson ? Is he the real killer or a
brilliant forger. The intriguing thing about the plot of Nature Morte is soon
as you think you have a handle of where it is coming from, it takes you another
step deeper into the mystery. Without giving away too much, the secret of the
small painting which leads from Stephenson to Lec and ultimately to Davenport
and beyond is central to the tale. It also allows an exploration of the dark
side of anyone who comes to possess it.
I have read some press which has argued the plot is too convoluted; I
think that this observation ignores the influence that Italian Giallo has had
on Nature Morte. In many ways it is a film which brings together the
psycho-sexual themes found in Jess Franco and French eroticism with the unusual
crime tales which were ever so popular in Italian cinema especially with
filmmakers such as Bava, Argento and Fulci.
Nature
Morte is a dangerous film, it is edgy, violent, erotic and transgressive. It
has some truly memorable scenes of quite nightmarish quality. The power of
Nature Morte is the way it mixes eroticism and violence in such a way that you
are both attracted and repulsed, the line between victim and perpetuator is
blurred and the relationship between sex and death is provocatively explored.
In Nature Morte all relationships “are power relationships” and sex, death,
love and pain are intertwined in a highly original and stimulating manner.
As
a relatively low budget film I found Nature Morte quite astonishing. The
soundtrack by Arban and Steven Severin (of Siouxsie and the Banshees) is
inspired and with filming in England, France and Thailand, the film has a truly
international feel which further extends the exploration of its contraband
subject matter. Each of the locations
offers something different and combined with the various plot changes make
Nature Morte quite an accomplished thriller as well as an unusual exploration
of eroticism and violence.
The
Salvation DVD includes some nice extras such as deleted scenes with Director’s
comments , a blooper reel, a stills gallery and various Redemption oriented
items.