Metropolis Reconstructed and Restored

Madman

R4 DVD

 

Metropolis (1927) is considered one of the greatest works of science fiction ever made, it was also the epitome of German expressions. Directed by Fritz Lang it was the most expensive silent film ever made and steeped in controversy. It was severely cut after its premiere and releases in the west were difficult to watch both to low quality and to severe cuts, in many cases certain sections (especially those related to the robot) were put out of order. The 2001 reconstruction released at the Berlin film festival was believed to be the definitive edition however in 2008 a further 30 minutes was found in Buenos Aires, Argentina. After immense work including reconstruction and restoration this final version, some 150 minutes long, is now available on DVD. While some of the restored scenes are grainy, the best restoration has been had been done and these really do offer a complete vision of what Lang was attempting to communicate. There is so much more detail in this version, so many of the religious and political themes become clear and the context of the film becomes more obvious.

 

The new edition is startling in his quality and presence. It is beautifully restored and unlike the very first releases can be easily followed. It is quite a unique silent film in that it only occasionally uses inter titles and primarily emphasizes body language and facial expression. The imagery is powerful and evocative and it certainly is a memorable experience. The visual effects are really quite amazing for the period from the large machines, the great city to the truly incredible robot.

 

This is a film filled with nuance, it is not a simple plot. While it offers a vision of a dark industrial city controlled by the super rich, it also criticizes the violent tendencies of the lower classes. When the revolution occurs they destroy everything in sight and dance while their children nearly drown. This criticism of both capitalism and communism is a fascinating view of the future which in many ways still resonates today.

 

For a film made in 1927 it stands the test of time and is a significant work within the science fiction canon. It is a work no science fiction fan should be without.

 

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This review will appear in Volume 4 No. 3 of the digital and print edition of Synergy.

 

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