Gozu
Takashi
Miike
Siren
Visual
Web: http://www.sirenvisual.com.au
Gozu is a strange and surreal film, for many
it is considered one of the classics of Japanese surrealistic cinema. Each character
is developed in such incredible detail that each time someone arrives on screen
you know you are in for a new experience. In many ways the individuals from Gozu remind us of the “black humour”
of Little Britain or perhaps more like “A League of Gentlemen”. Nobody is normal; everybody is neurotic,
perverse and psychologically scarred. This is a Freudian view of the world
where everyone’s hidden desires are manifest and nobody is normal. This is a
film which has resonances with everything from French Surrealist cinema to the
works of David Lynch.
The film begins with a simple yakuza meeting;
however, Ozaki, one of the team is going a little weird. He is convinced that
the
Thus begins a strange travel tale where
nothing and nobody is what they seem. As the journey unfolds they get within a
short stop of
The search includes all manner of bizarre
experiences, a motel manager who fills bottles of milk with her own breast milk
(and an experience of a Cow Demon along the way), transvestite café staff,
local yahoos and reality and madness seem to mix together. When at last Minami
finds his friend, it seems he has been killed and pressed at a local car yard. Minami is startled to find someone has solved
his problem for him, but this reprieve is short lived as he discovers Osaki is still
alive but has changed sex and become a vivacious woman!
At this stage the film has become more
and more dreamlike, however, rather than being off-putting, you are slowly
drawn into the madness of the film; the quirkiness of the characters and the non
linear nature of the plot. We then enter truly Freudian territory, where Minami
desires his partner Osaki, who is now a woman but must save him/her from the
boss. The boss has erection problems and has to anally insert metal ladles in
his rectum to achieve the results he desires and in a truly amazing scene Minami
catches him with his pants down about to despoil Osaki and drives the ladle up
his behind and electrocutes him ! He dies in both
pleasure and pain in a messy climax.
Minami and Osaki then make love and he
becomes locked, literally locked, in sexual union, he finds a hand within her
vagina grasping his appendage. As he
disentangles from Osaki, she slowly she gives birth to a full grown figure and
it is Osaki as a man. The sexual variance of this scene is truly impressive,
Minami and Osaki in homosexual embrace (Osaki is a woman but has identified as
his brother i.e. male), give birth to Osaki as a male and the three go off into
world together !!!
This is a strange, non linear surrealist
film which is both unpredictable and entertaining. It is certainly not “traditional” Yakuza fare so be
ready to experience some truly bizarre cinema. The strangeness of the plot, idiosyncrasies
of the characters and sheer creativity perversity of much of this film makes it
a must see experience.