The Dead Walk
Andy
Black & Steve Earles
Noir
Publishing 2008
Web: http://www.noirpublishing.co.uk
The
Dead Walk is the ultimate guide to Zombie films. It is not only comprehensive
but covers zombies in the widest possible interpretation hence also includes
everything from the early traditions of Voodoo to the skeletons of Jason and
the Argonauts. The shock horrors of the splatter films of the Eighties to
zombies in science fiction. This is really quite an exhaustive coverage of the
subject including every possible aspect of the zombie film phenomenon around
the world with a fascinating discussion of “Zombie World Cinema”.
The
book opens with a solid introduction to the historical roots of Voodoo and
offers a credible background to the nature of voodoo, theories on how zombies
are created and background on the various psychoactive substances which are
used in Haiti for the purpose. This chapter includes some good scientific
background including discussion of such films as The Serpent and the Rainbow
which was based on Wade Davis’ research into the zombies of Haiti.
This
is followed by an examination of the early black and white classic zombie films
and their significance within the development of early cinema. Of course, no
horror book would be complete with a section on Hammer and next we get a solid
chapter on Hammer horror zombies primarily focuses on the classic Plague of the
Zombies. General overviews are also complimented with specific chapters of
significant filmmakers such as the next chapters on George Romero and Lucio
Fulci. Covering each of their zombies films in quite some detail including
lesser known titles as a Romero’s The Crazies.
We
then look at specifically American Zombie films and next have a superb overview
of Zombies in film from around the globe. From New Zealand to China, Spain to
France – Jeff Franco and Rollins, they are all there !
Of
course, there are Zombies which cross over from horror to science fiction and
this is covered next. One of the more interesting zombie film derivations
developed from the West’s obsession with Egypt, so next we have a special look
at Mummies (with special reference to the new universal Mummy series) and
finally a look at the latest trends in zombie films. This is also a superb
filmography.
It
is amazing how many films are given critical attention with intelligent and
insightful reviews. From all the films of George A Romero (as well as all the
remakes and derivatives), to the Evil Dead Series, Hellraiser Series,
Planet Terror, Shaun of the Dead and
Doomsday. From the most obscure to the best known, they are all covered, it
would be hard to list all the films which are given loving attention. The Dead
Walk is also filled to the brim with lots of photos and images. This is a
superb looking book with over 300 illustrations including lots of very rare
stills.
There
are also special “focus” sections such as special look at Day of the Dead and
the original script, the Knight Templar and Spanish Zombie films of Amando de
Ossorio and the connection between
Romero’s Zombie films and the I am Legend Science fiction story.
This
really is the ultimate guide for Zombie film lovers and is most highly
recommended.