tn_CALIGULA_THE_UNTOLD_STORY.jpgCaligula 2: The Untold Story

Uncut 126 minute Print

Cinema de Bizarre

Web: http://cinema-de-bizarre.com

 

Caligula 2 is an amazing sleazefest from Joe D’Amato starting David Brandon as Caligula and the beautiful Laura Gemser. The film has been released in Germany and Italy uncut, but not in the UK, Australia or the US. A DVD-R edition is available from Cinema de Bizarre. This is certainly a superb, sleazy and outrageous work of cinema, offering two hours of truly astounding sex, violence and perversity; it is a cult film par excellence.

 

Joe D’Amato, master of low budget exploitation, takes on the mantle of Caligula after the fame of the Tinto Brass/Penthouse release and makes a film which is clearly not a sequel but a film which takes inspiration from the legend to create a true exploration of depravity.

 

D’Amato himself sets the stage through the prologue..” Caligula (Gaius Ceasar)  murdered his adopted grandfather Tiberius to assume power. He committed Incest with his sisters, adultery with his friends wives, pederasty,  flaunted the law and was a glutton, pervert and epileptic”. Quite a lot to live up to but D’Amato rises to the occasion and does fairly well !

The film opens with an assassination attempt, which is rather fun since the assassin is no other than Michele Soavi (another cult film maker) playing Domitius. Caligula catches him just in time and rather than killing him off, has his tendons cut and his tongue excised so he can keep in as a plaything.

 

As the film develops we find Caligula at his very best attempting to have his way with a virtuous young Christian girl who kills himself rather than submitting to his wicked desires. This triggers a story of love, lust and revenge. Her friend and lover, the Moorish Priestess Miriam (played by Laura Gemser), deflowers herself in front of a statue of Anubis and sets herself on the task of getting very close to Caligula  so she may take revenge for her friend’s death.

 

However, before this startling, but totally fictional, plot unfolds Caligula must find funds to support the re-development of his palace and so stages a grand orgy. To get enough young girls, he has the Vestal Virgins trained for the role. They are inspected, deflowered in an underwater scene and then taught the skills of sex on a hunky Greek boy by an aging Roman transvestite. At the same time, of course, we are entertained by Caligula’s bi-sexual tastes with sex and nudity galore. While most of these scenes are soft erotica, they occasionally blur into explicit sex, until the orgy scene itself hits and wallop; there is an outburst of 30 minutes of explicit sex you will not easier forget.

 

The orgy scene is startling and filled with all manner of sexual content. We have explicit sex of all forms including dwarves and horse fondling. There is even an armed gladiatorial match with blood splattered over the copulating revellers and a senator continuously vomiting during sexplay. This is certainly an extreme and excessive presentation, so utterly over the top it is riveting exploitation cinema.

 

Caligula’s madness deteriorates when Miriam stops an assignation attempt on his life (as she wants to take her own revenge) and Caligula must punish the plotters. This involves an explosion of violence which includes smashing a baby against a brick wall, long metal rods rammed up behinds and Senators forced to kill women and children to save their own skin. Miriam drugs Caligula’s wine and as his hallucinations increase his dreams of murdered foes begin to haunt every moment of his day.

 

D’Amato has certainly pulled out all the stops in this one with more sex, gore, violence and perversity than in most libraries of cult films. This is certainly a film which is not for the timid, but if you are sick enough to dare, it is worth well worth the effort to get a copy.

 

The cinematography is pretty damn good for a low budget film, the soundtrack suitably Imperial and the constant nudity isn’t too hard on the eyes either. Recommended !

 

vatribflorish

 

 

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This review will appear in Volume 2 No.6 (2009) of the digital and print edition of Synergy Magazine.

 

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