Wound
New Zealand
ILA Film Productions
Web: http://www.davidblyth.com/
Wound
is a dark, terror filled film dealing with mental instability and madness. When
you add antidepressant drugs and an unsympathetic public to the mix, the
effects on the mind can be terrible. David Blyth is no stranger to such
controversial films. Angel Mine and Death Warmed Up also covered strongly
challenging themes.
Susan
killed her parents by burning down their house when she was young. She lost a
baby, a result of her being raped, when she was fourteen. She is in a
submissive relationship with her boss, and her schooling was a succession of
problems including being molested by her father. How then can she kill her father later when
she is adult and bury his body in the garden? Obviously Susan’s mind, in spite
of her medication, is still confused.
Her
situation seems to improve when her daughter Tanya turns up, having finally
found her mother who gave her up as a baby. Although Susan’s mother said the
baby had died, here she is alive and well. Tanya takes control of her mother’s
life and for a while it seems Susan may be improving, but she suspects Tanya
may be trying to kill her. Tanya seems to have inherited a few of her mother’s
mental problems.
Susan
is admitted to hospital for further treatment but an unsympathetic doctor
believes she is hallucinating about Tanya and arranges to have her sent to a
psychiatric institution. Tanya rescues her from the hospital, but that night
the ambulance crew arrives to sedate her and take her to the institution. Tanya
goes crazy and there is an orgy of blood.
The
somewhat disjointed nature of the film at first is confusing. It is full of
unlikely events, strange “explanations”, and complete inconsistencies. Then we
realize that we are seeing inside Susan’s confused mind where all things can be
explained away, but at the cost of Susan sinking deeper into her illness. She
can’t separate reality from wishful thinking from madness. There is a strong
touch of the need for revenge on those she believed hurt her.
Blyth
has given us a film that is frightening in its viewpoint. We are seeing
psychotic illness from the inside, and it’s not pretty.
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