The Satanic Sluts III
Scandalized
Redemption
R0 PAL
Web: http://salvation-films.com/
From
the headlines to you bedroom, the Satanic Sluts revel in sex, fetish and having
a damn good time. When Voluptua aka Georgina Baillie, granddaughter of veteran
actor Andrew Sachs, burlesque dancer and goth Satanic Slut became the focus of
the Russell Brand scandal at the BBC it seemed the right time to explore the
world of scandalous headlines and dirty tabloid headlines.
Satanic
Sluts is a series which explores a range of fetish, lesbian and goth/dark
fantasies via a sequence of dialogue free vignettes. These are always
inventive, original and sizzling. In volume III the vignettes are related via
ridiculous headings from various UK scandal rags which are then reinvented in
the most erotic manner possible. Stories involve lesbian reporters, vampire
cults and sacrifices, extra terrestrial UFO sex encounters, naughty and sleazy
models, sex at work and lots and lots more.
The
emphasis is on fetish with a little more sex on show than in parts I and II
(not that anyone minds). Each of the scenes is a fascinating “set piece”
exploring a certain theme accompanied with outfits which match the related
fetish, in various of Satanic Sluts DVDs these have ranged from authoritarian
outfits to nurses, leather to latex. The sheer power of the imagery in this
series is startling and erotic, while it may shock some, it will arouse most.
Nigel
Wingrove has been making fetish films for many years as well as pushing the
boundaries of censorship. Beginning with Visions of Ecstasy, which was a homage
to St Theresa of Avila's reveries of ravishment by Christ which was banned by
the BBFC for blasphemy, Wingrove went on to found Redemption films, fight
censorship and make sleaze and euro cult an celebrated taste. The Satanic Sluts
series have united so many of his obsessions into a single series which, due to
the joys of DVD, can be celebrated by all !
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This
review will appear in Volume 2 No.4
(2009) of the digital and print edition of Synergy Magazine.
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