Skin
Pinnacle Films
R4 DVD
While
watching this film I was struck by the similarity between Sandra in the film
and Constance in Xavier Herbert’s Capricornia, written in the 1930s. Both girls
are victims of racial discrimination, both experience childhoods in which their
racial origins are hidden, and both are ill-prepared for the tragedy that life
will bring them. In Capricornia, Constance’s father tries to give her some
dignity in the white community by starting the fiction that she is the daughter
of a Balinese princess, but soon enough the truth becomes known.
Skin
is set in the South Africa of apartheid and irrational bigoted racism. Sandra
is a “throwback”, a child who looks black because of the black genes in her
makeup courtesy of some ancestor getting too friendly with the native women.
Her parents are both white so she is automatically classified as White too, but
as she enters her teens the truth of her racial origin becomes more evident. So
does the prejudice of the white people around her. Sandra’s father, a stubborn
racist himself, defends his daughter and tries to keep her “white”
classification as best he can. His motive is to convince himself that she is
really white and there are no black genes in his ancestry – in such a racist
country it is a matter of pride that his family should be all-white. Sandra’s
mother is a little more tolerant out of love for her daughter but even she has
a racist streak. Unlike Constance Sandra has no other options – she is black.
Sandra
must finally face her own decision as to which lifestyle she is going to
accept. Even then fate has more in store for her, little of it good. There were
a number of Sandras in the 1950s, born into a black world that discriminated
against them as whites and a white world that believed blacks had no rights and
treated them with contempt. Some of the bigotry as shown in the film would be
laughable if it wasn’t so tragic for those involved at the time.
As
South Africa matured and moved away from apartheid the restrictions on black
people were removed. For Sandra, though, it was simply too late.
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