Nanny and Hank #1

Bluewater Comics

Web: http://www.bluewaterprod.com/

 

Nanny and Hank #1 is an impressive character driven comic. It has a nicely presented design which is filled with colour, texture and style. The characters are all drawn in their own unique ways, the vampyres seem hard and angular while the old couple and their daughter are more organic and soft. The backgrounds all create an excellent mood and the text is easy to read and follow.

 

I like the way it brings together two seemingly distinct storylines to create an extremely engaging tale.  O’Neil is in a bar getting wasted and is upset he is not appreciated in his work. He rails against those who do not respect the hard work he does and who put style over substance. At first you have no idea what he does but hear a lot about the Council he works for and his lack of satisfaction. It is only after a while you realize he is a vampyre recruiter and that the Council are not happy with the quality of recruits he is offering.

 

He gets so drunk he causes a scene at the bar and is thrown into the street. At the same time an old couple is planning a holiday. They are your average pensioner duo planning to visit their daughter and her children. They like to driven at night and Hank has just picked up the van and is racing home for dinner. He is a bit distracted and hits what he thinks is an animal, but it is actually O’Neil and boy is he pissed ! 

 

The two tales now merge together and O’Neil decides to take revenge on the old couple but also get back at the Council. While normally he would have simply killed them, he turns them and now Hanny and Hank have a very different future in front of them. Even worse, the couple has to embark on a family vacation without alerting their children and grandchildren to the fact that they now need human blood to survive.

 

Nanny & Hank features the talents of writer Mark L. Miller, writer of the company’s Vincent Price anthology series, and artist Steve Babb.

 

vatribflorish

 

 

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This review will appear in Volume 3 No. 4 of the digital and print edition of Synergy Magazine.

 

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