Mysterium Fidei
Paintings and Drawings by Daniel Martin
Díaz
La Luz De Jesus and Billy Shire Fine
Arts Press
Web: http://www.laluzdejesus.com
"broodingly
personal...with a compelling, esoteric edge.”
The Los Angeles Times
Mysterium
Fidei or the Mysteries of faith is an idiosyncratic exploration of the world of
religious symbolism by Daniel Martin Díaz. For Díaz Faith is without "logical explanation" and
hence bubbles up from the unconscious in a variety of strange and unusual
forms. It could be easily said that his work is influenced as much by
esotericism, occultism, alchemy, Freud and Jung as Catholicism and his Mexican
upbringing.
Examining his work it is hard to believe that his is self
taught, he uses the ancient egg tempera and resin oil
painting technique on distressed wood to create works which seem literally
Medieval in presentation if not perhaps heretical in content. His work has been
exhibited in over 50 solo and group exhibitions in 17 states of America and
eight countries, including three international touring exhibitions, and has
been acquired for the permanent collections of nine art museums nationwide.
His
influences include Jan van Eyck, Pieter Bruegel, and Hieronymus Bosch, Byzantine
iconography, Alchemy, esotericism, occultism, Medieval anatomical and
naturalist art and engravings.
He
takes familiar iconography found within Catholicism and Mexican folk art and
moves it into esoteric and symbolic territory. For example, in
"Verberantia," the eye is first drawn to the image of Christ bleeding
on the ground. This is what one may expect to see in a work on spiritual suffering.
Yet as your eyes moves up, you notice a hand floating above his bloodied back
with a single all-seeing Illuminati style eye painted on its palm. Aside it is
a skull. The body of Christ is entangled with a serpent like creature of which
a second is seen on the ground. The finale is the statement Condemnant quod non
intellegunt – they condemn that which they do not understand. The image has a
strongly Gnostic as well as esoteric feel with the serpent seemingly
representing wisdom rather than evil. Throughout his art there is an emphasis
on Latin quotes, numerology, symbolism and iconography.
Many
of his images seem to combine Gnostic and esoteric themes with Mexican folk
traditions to create quite a unique religious vision. In many ways they seem
truly unconscious as even Díaz himself admits he simply paints what he
experiences in his mind’s eye. "I
do not claim to understand these questions. I just paint and let them reveal
themselves to me."
Mysterium
Fidei - Paintings and Drawings by Daniel Martin Díaz is a high quality
Hardcover, 120 pages in length and 10″ x 10″ in size. The cover is stunning;
it is made of black cloth and has a silver coloured letter-pressed decoration which
surrounds a cut out Diaz image.
There
is an introduction and essays by Michael M. Brescia, Ph.D., Gloria Fraser
Giffords, John David Long-García, M.A., and Paula Catherine Valencia.
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This review will appear in Volume 2 No.3
(2009) of the digital and print edition of Synergy Magazine.
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