The Last Exorcism
Horror
Hopscotch
R4 DVD
Not
another exorcism film ! Demonic possession has been
rather done to death so I had no great hopes for this film. I was wrong. It is
possibly the best film of this genre I have seen. That may seem a little strong
but the careful development of the plot, the excellent acting and the sinister
surroundings all go to make a film that is well out of the ordinary.
The
story revolves around the Reverend Cotton Marcus, who has performed over 200
fake exorcisms. To reveal the scams, in which a child has recently died, Cotton
will arrange an exorcism for a camera crew who will record everything. On the
way to the Deep South and his next case Cotton shares his beliefs with the
camera. He has never experienced a real
case of possession. He justifies his lucrative exorcisms by pointing out that
the “possession” is often a symptom of a deeper psychological guilt and an
exorcism will often relieve the possessed of their guilt. It has worked in the
past and he has no doubt it will work in this case as well. Whether Cotton
believes in God is left open. The religious aspect of exorcisms is irrelevant –
to Cotton it is about money.
The
possessed girl, Nell, is normally a nice polite farm girl but she cannot
explain her possession. When she is possessed her father finds it necessary to
chain her up in the barn. Nell’s mother died some years ago and her father has
never quite come to grips with her loss – he prayed and prayed but the cancer
beat her. Now he is on the verge of questioning his faith.
Cotton
carries out his token exorcism ritual complete with lots of shouting and
exhortations and prayers. It seems to relieve Nell. Her father joins in the
prayers with a will. Her brother, though, is a little reluctant. Perhaps he can
see through Cotton’s charade.
With
Nell “cured”, Cotton collects his money and leaves. They stop for the night in
a motel a few miles away and during the night Nell turns up, distressed and
saying she doesn’t want to go back. The possession is still there but is
getting worse. On admission to the hospital they find she is pregnant. Cotton
seems to be looking at a case of incest, not possession, but the possession
episodes continue.
Her
father takes Nell out of the hospital and they go back home. He won’t believe
she is pregnant. When Cotton finds out he goes back to the farm to check on her
welfare. He is starting to care a little about others instead of being his
usual self-centred self. What he sees is dreadful. It seems the local priest
has other ways than exorcism of dealing with problems like this.
Patrick
Fabian (Cotton) is the strong character who ties it
all together, even when his faith in himself is shaken. He plays the confidence
trickster well but he is just as good at playing the confused and challenged
man when things turn nasty. I liked Ashley Bell’s rendition of Nell – innocent,
full of guilt and scared about what’s happening to her. She perfectly
counterbalances Cotton in his brash self-confidence. She may be fairly new to
acting but there is a good future ahead of her.
In
some ways this is a nasty film, but in all ways it is a strong story, well
directed, and a credit to all who worked on it.
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