An Englishman in New York

QC Cinema

Beyond Home Entertainment

R4 DVD

 

Health consists of having the same diseases as one's neighbours.

Quentin Crisp

 

John Hurt brought Quentin Crisp to life in The Naked Civil Servant. It seems an amazing to say but it was a film that changed, indeed saved, so many lives. Many gay people living in isolation saw their first glance of a strong and resilient homosexual in Crisp, a man who against all odds fought to be who he was. It was a powerful film made in 1975, a time when only a very few movies dared to show homosexuality in a positive light. So many gay people saw this and decided to be true to who they were and left the country and headed towards the city, San Francisco in America, London in England and Sydney in Australia. Crisp gave hope to a generation, even if it was a realistic and sharped edge hope.

 

In 2009 John Hurt has returned to portray the latter years of Crisp’s life in An Englishman in New York. Crisp makes a decision nobody expects, late in life and infirm, he describes to move to New York to start again. He here meets Philip Steele, the editor of the Village Voice, with whom he forms a lifelong friendship. While this film is certainly about the later life of Quentin Crisp, it is just as much about the significance of friendship and the deep bond he formed with Philip Steele and which lasted until his death.

 

You fall out of your mother's womb, you crawl across open country under fire, and drop into your grave.

Quentin Crisp

 

Crisp was an enigma; bitchy, generous, venomous, witty, a lover of adulation and yet a loner. He spoke his mind and sometimes would make an offhand comment which would haunt him for years later. His comment that “AIDS was a Fad” singlehandedly destroyed his career for many years even though it was meant in jest. Too often people saw Crisp as a driving force for Gay rights and demanded he be so. They put him on a pedestal and then tried to keep him nailed there even when he tried to get off.  Crisp simply say himself as a “lover of men” with no political or social agenda attached. Much like Gore Vidal who said “I am a not gay, I am a homosexualist”, Crisp had an uneasy relationship with the gay community. In the politically charged world of the New York gay community this led to many clashes. Crisps was ultimately a performer, a man who has struggled against all odds to be himself regardless of the cost. His life itself was inspirational without any need for a politically correct overlay or interpretation by queer theory.

 

Never keep up with the Joneses. Drag them down to your level.

Quentin Crisp

 

I always found Crisp’s wit and humour truly inspiring and felt it, on occasion, even reached the level of Oscar Wilde. He had the ability to cut through the hypocrisy of life and see things as they really are. He is man who suffered greatly and yet was able to harness his fury and anger to create a persona of steel that entertained as well as informed others.

This is a marvellous film, Hurt is just perfect as Crisp. Since his role in The Naked Civil Servant and his personal friendship with Crisp, he has developed the uncanny ability to get inside Crisps psyche and reveal his inner life to us.

 

Most highly recommended.

 

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This review will appear in Volume 3 No. 5 of the digital and print edition of Synergy.

 

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