base_media.jpgDead Girl

Sony

R4 DVD

 

Dead Girl caused maximum controversy when it was shown on the film festival circuit and on DVD it is just as confronting. Is this simply a misogynist, violent zombie film or is it a lot more? Certainly the sex and violence is shocking and the sheer misogyny at times takes your breath way, but there is something under the surface here. This is not just an extreme exploitation movie; it is a film reflecting on the nature of suppressed male sexuality and the dangers of peer pressure.

 

Two dumb, dislikeable teen boys (Rickie and J.T.) skip school and armed with some brews head for an abandoned mental institution to get pissed and do some damage. They both have had little luck with relationships with girls (not especially surprising considering their characters) and express their frustration by tearing the building apart.  As they get more and more drunk they decide to explore the tunnels under the institution and when attacked by a wild dog, need to find a way to escape quickly. They find a locked door and behind it is a naked bruised woman, covered in plastic chained to a table.

 

While they screw her in every orifice, rent her out to their friends and generally egg each other on to use her in every possible way, the sense of utter depersonalization could not be better displayed on screen. While it certainly is extreme cinema, it is also reflecting on such significant issues as the sexual suppression of teen sexuality, peer pressure and depersonalization and the way in which the focus of sexual attraction  can be reduced to an object and nothing more.

 

The psycho-sexual horror of the film is matched by the filming, a dark urban landscape, disintegrating buildings, an emphasis on shadows, night and darkness. There are regular long and slow camera shots over pipes, dilapidated halls and broken windows, doors, rooms and equipment.

 

I can fully appreciate the shock many people may take to this film; we are dealing with long periods of necrophiliac rape and torture combined with obnoxious teen dialogue. At the same time the physical state of the woman deteriorates with each scene as her wounds don’t heal and the violence increases, this is not easy to watch.

 

At the same time everything has its consequences and there are side effects from being bitten by the “dead girl” and when she escapes she certainly wrecks havoc. There are some powerful motifs in the film if you can handle the sheer brutality of the subject matter. As the boys become more and more reduced by their violence they decide to kidnap a “live girl” since the dead one is not longer in optimum condition. The way in which they have become totally dehumanized by their experience of violence and “objectivization” is viscerally presented. At the same time the way in which the “dead girl” being reduced to an animal now responds as an animal suggests the effects of violence and abuse. We never really come to understand how she has become what she is, but at the end when a new live girl is strapped to the table we come to consider whether this “zombie state” is a symbol for the ultimate form of consumer sex object.

 

Dead Girl is not an easy film, debates rage about its content, dialogue and misogyny, at the same time there is always the danger of a film being so “loud” that we lose its message. At times I think this is true with Dead Girl, the imagery is so severe that many people will not dig below the surface and consider some of the significant motifs underneath.

 

This is a challenging film, but cinema is not always meant to be easy and it is well worth the effort.

 

(US R1 Cover shown)

 

 

vatribflorish

 

 

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This review will appear in Volume 2 No.6 (2009) of the digital and print edition of Synergy Magazine.

 

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