ArtOfTheMuscleCar_Cover.jpgArt of the Muscle Car

David Newhardt

Photography by Peter Harholdt

MotorBooks (2009)

Capricorn Link (Australia)

 

Reviewer: Bob Estreich

 

This beautiful book is an unashamed tribute to the American muscle car of the 1960s and early seventies. It must be admitted that they were fuel guzzlers with dreadful handling and often quite ugly looks, but many people lusted after them and bought them in huge numbers. They finally went the way of all dinosaurs, not killed off by a comet but gradually made extinct by rising fuel prices, ridiculous insurance premiums and cries that they were dangerous.

 

Now we can only look back at them with nostalgia and forgive them their faults. In the great grey blandness that is our current auto industry these cars stand out as individuals, a sign of what there was before conformity was forced on us. Peter Harholdt’s beautiful photography highlights the surviving preserved cars and gives us some idea of what we have lost.

 

Beauty is in the eye of the beholder and all that, but even the most biased observer would have to admit that some of these cars were almost indescribably ugly. Rear boot lids the size of a small airport featured for many years. The front grille treatment varied from the breadslicer look of the 1971 Dodge Charger Super Bee to the unbelievable rocket-shaped profile of the nose of the 1970 Plymouth Road Runner Super Bird. From the front the whole bonnet had the flat sloping look of later Italian models, but there was just so much of it! The huge nose was offset by a monumental and impractical rear spoiler that rose so high it would be a danger to low flying aircraft. The whole car was longer than a politician’s campaign speech, and it only had two doors in all that sheet metal. But practicality wasn’t what these cars were about. It was purely about street pose value and these cars had it by the bagful. Harholdt’s photo of the Plymouth captures this and he even manages to make the Plymouth look quite sexy.

 

Not all the car styling was a disaster. There is Ford’s sex-on-wheels Mustang range and Pontiac’s final parting shot, the plain but deadly looking 1973 TransAm. Even in bland white it looked like it was coming to get you.

 

Those days are gone now. A two door car is a rarity, as is a V8 of 400+ cubic inches. I wouldn’t say that car styling has improved but it now has none of the individuality of these muscle cars. Still, at least we have this book to remind us of what was.

 

As befits such a labour of love by the author and photographer, the book is hard bound and beautifully presented on quality gloss paper that makes the most of the photos.

 

vatribflorish

 

 

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This review will appear in Volume No. 2 No 6 (2009) of the digital and print edition of Synergy Magazine.

 

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