Monsters
Magnolia Films
Cinema Release
Six years ago NASA discovered the
possibility of alien life within our solar system. A probe was launched to
collect samples, but crashed upon re-entry over Central America. Soon after,
new life form began to appear and half of Mexico was quarantined as an INFECTED
ZONE. Today, the American and Mexican military still struggle to contain “the
creatures”…… Our story begins when a US journalist agrees to escort a shaken
tourist through the infected zone in Mexico to the safety of the US border.
Monsters is an independent
science fiction film which has been clearly made on a low budget but is
nevertheless quite successful. It is an enigmatic film with a lot of mood and
suspense rather than direct horror. There is a strong emphasis on the human
elements of the story, the photojournalist and the rich girl and the Mexican’s
trying to survive until monster attack. It is a strange film in that it is hard
to identify what exactly the movie is trying to express, the ending is
certainly a WTF moment. It is possible that it is trying to depict the monsters
as peaceful and only attacking in response to American aggression, but it is
hard to be sure. Certainly the model of American aggression is also suggested
by the huge wall that the US have built to protect it from Mexico (shades of
Israel and Palestine) and the fact that America is constantly bombing Mexico in
an attempt to stop the monsters growing. The constant under current of American
imperialism vs the alien menace is shown throughout
the film and could be interpreted on many levels. At times this post 9/11 theme
of pro or anti America gets a bit irritating there has
been so many films with this motif that in the end I am a bit over it. At the
same time if you overlook any suggested polemic and enjoy it as a solid sci fi suspense movie it certainly works.
Shot
with just a five person crew and a cast of two, Gareth Edwards’ team travelled
through Guatemala, Belize and Mexico, finding and utilizing their locations and
supporting actors as they went, Edwards’ has certainly created an impressive
indie film which uses every cent of its low budget to good effect.
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